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Every corporate party has its stars. Some become stars the very next morning, right in the office, becoming the subject of lively discussions among their colleagues. Others may even become internet celebrities after the party - if an enthusiastic colleague and fan happens to capture their performance on a phone. Our concept, however, gives every employee the opportunity to become the star of the evening long before the celebration itself. Beyond functional responsibilities, KPIs and job titles, every member of your team has natural talents waiting to be discovered. This preparation not only helps reveal employees’ creative potential, but also allows them to develop and strengthen it. Moreover, the “Stars Show” New Year concept can become an effective team-building experience, helping unite your colleagues through both creativity and shared participation.

World Nomad Games in Kyrgyzstan. Kazakhstan’s Gulder Ensemble has brought home the Grand Prix from the international ethnic dance competition. The news spread across Kazakh media at a time when the official team medal standings were still being recalculated, with Kazakhstan’s overall victory being announced some time after the Games had concluded. However, our country’s decisive success on the choreography stage became known as early as the first days of the competition. Anvara Aripovna Sydykova, head of the Gulder Ensemble, has already given several interviews about the group’s latest achievement, including an interview with our portal. You can watch the interview with Anvara Aripovna on the official DanceHub.kz Instagram account.

There is so much that could be said and written about this performance — the production itself is truly impressive. More details about the show can be found on DanceHub.kz’s official Instagram account, but it is impossible not to talk about the emotions this touching story evokes. It is a stage narrative about an undying love that must endure countless trials, distances, and circumstances. Like any happiness that has been fought for and prayed for, this story finds its own emotional response in the hearts of the audience. “Two Carpets” was performed to a completely sold-out audience. As before, the spectators represented different generations and, consequently, different worldviews. Yet the work of the actors and director was outstanding. The applause from the audience, rising in unison with the unfolding story, was a clear testament to that.

Last autumn, Ruslan launched a conversational interview series called “The Environment Around Me.” The guests of the series included well-known producers, prominent showmen, musicians, creatives and other cultural figures. This year, Ruslan returns with new guests, while the series has undergone conceptual changes and moved closer to the social genre. Each episode now features more dynamics, depth and expertise. The first guest of this season was former Vice Minister of Artificial Intelligence Dmitry Moon. In June this year, Dmitry stepped down from his position as Vice Minister and continued his professional work as CEO of Q.AI, a company focused on the development, implementation and analysis of artificial intelligence in Kazakhstan. The relevance of artificial intelligence in our country is growing every day. Its practical application has already reached almost every area of public administration and the private sector, and this trend continues to gain momentum. During an engaging and lively conversation, held in the form of a tour through the “Nur-Alem” sphere, Ruslan raised a wide range of topics that are both important and sensitive for society. Against the backdrop of the growing demand for AI, many people are undoubtedly interested in which specific professions artificial intelligence improves and which, on the contrary, it may displace from the labor market. How can we live with constantly evolving user experiences with AI, and what cybersecurity measures should every user know and apply?

This summer, Ruslan Vladimirovich Kenzikeyev, founder of the dancehub.kz portal, officially joined the ranks of experts of the Alliance of Creative Industries of Kazakhstan. The organization has been operating for several years. It was established at the initiative of the National Chamber of Entrepreneurs “Atameken” and operates throughout the country, with its coordination center in Astana. A key priority of the Alliance of Creative Industries is to support domestic entrepreneurs working in the creative industries. As part of this work, the Alliance regularly holds forums, conferences, master classes, and weekly meetings in the capital.

Every day, hundreds of people use our website. Thanks to the availability of our publications in three languages — Kazakh, English, and Russian — the website’s articles, profiles, and news continue to attract stable interest from users in Kazakhstan and neighboring countries, and sometimes even from more distant parts of the world. Website inquiries regularly come from Turkey, India, and Germany, while articles and creative profiles are also read in English. According to the results of the past summer, the article “The History of the Kamajai Dance” continues to hold the top position, with more than 10 views in English alone. The “Gulder” dance ensemble has maintained a strong interest among dancehub.kz visitors since the very beginning of its appearance on the website. The interview with Anvara Aripovna Sadykova is also among the top three most sought-after publications on the website. The dance community of Kazakhstan also closely follows our website’s special reports, in which we cover cultural events in the capital and beyond, particularly those related to various areas of dance. Our correspondents have attended the most notable concerts, performances, and competitions held in Astana.

For Kazakhstan, this format is, of course, a great rarity, as the very concept of the “Games of the Future” project is based on something not yet familiar. The country has enormous organizational experience and, naturally, the Games were held successfully. A separate highlight of the program was the introduction of dance disciplines into the competition. Our website attended the final of the Phygital Dance 2026 tournament. Once again, it was proven that dance is truly an expression of the dancer’s inner state. After all, participation in Phygital Dance was open to people who are passionate about choreography, while there are generally not that many professionals among them. And so it turned out that the final was primarily made up of gamers who had danced offline but now competed in a digital format. The rules are simple: the participant’s dance must be as synchronized as possible with the movements projected onto huge screens. The final assignments were made available to the participants before the competition, at different times for each participant, according to the competitors themselves. For example, a representative of our country who took one of the prize-winning places noted that she received her assignment in her personal competition account 10 days in advance.

For example, in 2025, one of the December corporate parties we organized had a “Gala Dinner” theme. This is one of the most convenient concepts when you have 710 guests. To manage the flow of people inside the restaurant, we had to involve 20 crowd managers. The security team alone consisted of 60 people, and that was also a private company. With such a large number of guests, almost any theme will turn into a gala dinner within an hour anyway. And if you also consider that the bar was operating on an unlimited basis, it becomes clear that in a situation like this, what you really need is not a theme. What you need are hosts — experienced, well-known, and, naturally, expensive ones.