RU
EN
KZ

The production “Two Carpets” opened the new season at Astana Ballet Theatre.

The production “Two Carpets” opened the new season at Astana Ballet Theatre.

There is so much that could be said and written about this performance — the production itself is truly impressive. More details about the show can be found on DanceHub.kz’s official Instagram account, but it is impossible not to talk about the emotions this touching story evokes.

It is a stage narrative about an undying love that must endure countless trials, distances, and circumstances. Like any happiness that has been fought for and prayed for, this story finds its own emotional response in the hearts of the audience.

“Two Carpets” was performed to a completely sold-out audience. As before, the spectators represented different generations and, consequently, different worldviews. Yet the work of the actors and director was outstanding. The applause from the audience, rising in unison with the unfolding story, was a clear testament to that.

The stage action was complemented by remarkable technological elements. The lighting design was particularly captivating, so precisely emphasizing the musical foundation of the production. The story came alive not only through the actors’ movements, but also on the screens, which helped intensify the overall impression.

Unrequited love, the characters’ struggles, an apparently hopeless situation, and the collective human tragedy of the era in which the story unfolds drew the audience into moments of deep empathy, followed by moments of relief and a collective sigh in the theatre.

The actors’ remarkable performances also deserve special attention. At times, it felt as though a touring international cast had taken the stage — everything looked so unusual and refreshingly different.

It is a rare moment when so many people gather in one room, yet everyone seems to feel the story in the same way. Every movement, gesture, and nuance of the choreography spoke directly to the audience, conveying the emotions and meaning the director had intended to bring to the stage.

This autumn, “Two Carpets” will be presented to European audiences as part of the Vienna Premieres. For now, all we can do is celebrate such a worthy opening of the new season in the capital.

Recommended articles

Wedding Podcast 2027

Wedding Podcast 2027

The wedding podcast is quickly finding its place in contemporary celebration programmes. The format began gaining attention in Kazakhstan at the end of summer, while the quieter autumn season gave organisers time to refine the idea for the year ahead. The DanceHub.kz team has already tested it twice and is ready to explain how it works. The podcast corner works best near the entrance to the banquet hall, close to the photo zone and welcome buffet. Recording inside the hall is more difficult: equipment is being checked, lighting and sound are being adjusted, and the service team is completing its final preparations. It is simply too noisy for a relaxed conversation. A small table, three microphones and a neat backdrop are enough to create the studio. Guests arrive, take commemorative photographs, enjoy the buffet and are then invited to record a short story about the newlyweds.

Tips from the DanceHub.kz Organisers

Tips from the DanceHub.kz Organisers

In the first part of our organiser's advice, we explained why a wedding welcome buffet deserves careful attention. Its appearance and presentation shape the first impression of the evening. Now it is time to consider the final touch: the tradition known as Keter Ayaq or Zhol Ayaq. This small ritual takes place at the end of the celebration. Sometimes it uses the same table that held the welcome buffet earlier in the evening. In an alcohol-free celebration, the tradition can be reinterpreted while preserving its most important purpose: seeing guests off with warmth, care and hospitality. The bride has thrown her bouquet, the band has taken the stage, and the second dance interval reflects the newlyweds' own musical taste. The first interval may have featured familiar favourites for the parents' friends and older guests, while the later programme becomes younger and more energetic.

Meeting for a Good Reason: “NOT a Wedding 2027”

Meeting for a Good Reason: “NOT a Wedding 2027”

Imagine being invited to a wedding and asked to buy a ticket for 20,000-25,000 tenge. The price includes your seat, the menu, drinks, a host and live entertainment. There is just one surprising detail: you know neither the people at your table nor the names of the newlyweds. The bride and groom may not have met before the evening either. This is the idea behind “NOT a Wedding”, a themed party already appearing in selected cities across Europe and the CIS. From the outside, it looks like a real celebration, complete with a welcome buffet, decorations, dinner, toasts and dancing. Its purpose, however, is not marriage. It is designed for conversation, new connections and an unusual cultural experience. Modern city life offers too few natural and comfortable ways for adults to meet. Social media helps people stay connected, but it cannot always replace a face-to-face conversation. “NOT a Wedding” provides a familiar structure in which strangers can introduce themselves, exchange experiences and spend an evening together without the awkwardness of formal networking.

Organising New Year Corporate Events in Astana.

Organising New Year Corporate Events in Astana.

A successful New Year corporate event begins long before December. Large companies often start planning in August, when HR managers research the market, compare suppliers and define the first requirements for the evening. Beginning early gives the team the freedom to choose rather than settle for whatever remains available at the end of the season. It is possible to source a venue, host, performers, decorators and technical crew independently, but doing so requires considerable time and experience. Companies therefore often entrust the project to a professional event agency responsible not only for suppliers but also for the overall logic of the occasion. An event agency is more than an intermediary between a client and performers. It acts as project coordinator, script team, venue administrator and crisis manager on the day itself.

Japanese Delegation Concludes Visit to the Kazakh National Academy of Choreography

Japanese Delegation Concludes Visit to the Kazakh National Academy of Choreography

The Kazakh National Academy of Choreography has concluded an intensive programme for a delegation from Tokyo's Yoshiko Takagi Ballet School. Twenty-two students and four teachers travelled to Astana to explore Kazakhstan's approach to choreographic education, work with the Academy's leading teachers and exchange professional experience. The Japanese guests followed a focused educational programme. Young dancers took part in masterclasses in classical and folk-stage dance and worked on classical variations drawn from the world's ballet repertoire. Each class offered more than technical practice. It also allowed the students to view familiar elements through a different teaching tradition. For young artists, this kind of exchange broadens their professional outlook and encourages closer attention to every detail of stagecraft.