RU
EN
KZ

A Selection of Corporate Hosts Based on Substance, Not Games

A Selection of Corporate Hosts Based on Substance, Not Games

There is nothing more frightening than experiencing “cringe” in front of management at a New Year corporate party. It is an especially uncomfortable feeling for the HR specialist, who is ultimately responsible for the evening.
Quite often, an awkward situation is caused by the host’s lack of preparation, and the issue has little to do with their energy or entertainment program. The real problem lies in their inner substance.
Without understanding the level of the guests sitting in front of them — especially those seated at the first four tables — a “cringeworthy” host follows the notorious idea of “bringing the house down at any cost.” They start asking each side of the room about their mood before even giving the first official guest the floor.
Broad cultural awareness, intellectual preparation, a rich vocabulary, and a heightened sense of the atmosphere in the room are far from the complete list of qualities expected from a host. Here, we have selected those who win over an audience through their knowledge and perspective rather than through silly chants and shouting games.
Anuar Abdraimov
You may have already heard Anuar Abdraimov referred to as the king of the Kazakh toi, and this reputation is well deserved — he is genuinely in high demand in this field.
But it is worth remembering that Anuar did not achieve this status through formulaic games and scripted phrases. He earned it through the trust of his clients, and he begins gaining that trust from the very first meeting thanks to his extensive understanding of the psychology of celebrations.
Every event has its own protocol, etiquette, and hierarchy. It takes decades of experience at events to learn how to feel an evening with your whole being rather than simply listening to what is happening around you.
His strong education, broad reading, and unconventional way of thinking, developed through KVN, will help you leave only a dignified and positive impression on your team.
Nurlan and Olzhas Duo
Nurlan and Olzhas are a creative tandem of highly cultured and well-mannered hosts.
Their conceptual uniqueness lies in the chemistry they have built over many years. Although Nurlan and Olzhas work with two microphones, they follow completely different narrative lines without interrupting or duplicating one another.
Nurlan and Olzhas fully correspond to the status of any corporate evening because the script of such an event always has a clearly defined format: formal and entertaining.
Within the duo, Nurlan is responsible for the flawless official part of the program, while Olzhas handles an appropriate and tasteful entertainment format.
Three main factors make their work distinctive. The first is complete bilingualism — they can switch from Russian to Kazakh and back again in a matter of seconds.
The second is professional vocal performance. The duo has been singing for more than 15 years and has serious achievements in this field.
The third is life and professional experience. Nurlan Kunafin has had an extensive career as a specialist in the quasi-public sector and has worked for national companies. Therefore, there is no need to explain the essence of corporate culture or corporate etiquette to them. They will handle everything with dignity.
Rustam Karkoshev
Rustam Karkoshev is the host for a team that has already seen everything and everyone.
If you tell Rustam this during your first meeting, it will give him serious motivation to prepare for the event particularly thoroughly.
There will be songs, humor, monologues, toasts from the host, and sincere conversations with management.
Rustam is young but experienced. He began his career as a host at the age of 17 and trained under respected masters of the old school.
They instilled in him standards of ethics and a particular way of thinking, and he figured out how to properly integrate those principles into creativity and intelligent humor.
At the event, Rustam will be a host you can genuinely be proud of.

Recommended articles

Wedding Podcast 2027

Wedding Podcast 2027

The wedding podcast is quickly finding its place in contemporary celebration programmes. The format began gaining attention in Kazakhstan at the end of summer, while the quieter autumn season gave organisers time to refine the idea for the year ahead. The DanceHub.kz team has already tested it twice and is ready to explain how it works. The podcast corner works best near the entrance to the banquet hall, close to the photo zone and welcome buffet. Recording inside the hall is more difficult: equipment is being checked, lighting and sound are being adjusted, and the service team is completing its final preparations. It is simply too noisy for a relaxed conversation. A small table, three microphones and a neat backdrop are enough to create the studio. Guests arrive, take commemorative photographs, enjoy the buffet and are then invited to record a short story about the newlyweds.

Tips from the DanceHub.kz Organisers

Tips from the DanceHub.kz Organisers

In the first part of our organiser's advice, we explained why a wedding welcome buffet deserves careful attention. Its appearance and presentation shape the first impression of the evening. Now it is time to consider the final touch: the tradition known as Keter Ayaq or Zhol Ayaq. This small ritual takes place at the end of the celebration. Sometimes it uses the same table that held the welcome buffet earlier in the evening. In an alcohol-free celebration, the tradition can be reinterpreted while preserving its most important purpose: seeing guests off with warmth, care and hospitality. The bride has thrown her bouquet, the band has taken the stage, and the second dance interval reflects the newlyweds' own musical taste. The first interval may have featured familiar favourites for the parents' friends and older guests, while the later programme becomes younger and more energetic.

Meeting for a Good Reason: “NOT a Wedding 2027”

Meeting for a Good Reason: “NOT a Wedding 2027”

Imagine being invited to a wedding and asked to buy a ticket for 20,000-25,000 tenge. The price includes your seat, the menu, drinks, a host and live entertainment. There is just one surprising detail: you know neither the people at your table nor the names of the newlyweds. The bride and groom may not have met before the evening either. This is the idea behind “NOT a Wedding”, a themed party already appearing in selected cities across Europe and the CIS. From the outside, it looks like a real celebration, complete with a welcome buffet, decorations, dinner, toasts and dancing. Its purpose, however, is not marriage. It is designed for conversation, new connections and an unusual cultural experience. Modern city life offers too few natural and comfortable ways for adults to meet. Social media helps people stay connected, but it cannot always replace a face-to-face conversation. “NOT a Wedding” provides a familiar structure in which strangers can introduce themselves, exchange experiences and spend an evening together without the awkwardness of formal networking.

Organising New Year Corporate Events in Astana.

Organising New Year Corporate Events in Astana.

A successful New Year corporate event begins long before December. Large companies often start planning in August, when HR managers research the market, compare suppliers and define the first requirements for the evening. Beginning early gives the team the freedom to choose rather than settle for whatever remains available at the end of the season. It is possible to source a venue, host, performers, decorators and technical crew independently, but doing so requires considerable time and experience. Companies therefore often entrust the project to a professional event agency responsible not only for suppliers but also for the overall logic of the occasion. An event agency is more than an intermediary between a client and performers. It acts as project coordinator, script team, venue administrator and crisis manager on the day itself.

Japanese Delegation Concludes Visit to the Kazakh National Academy of Choreography

Japanese Delegation Concludes Visit to the Kazakh National Academy of Choreography

The Kazakh National Academy of Choreography has concluded an intensive programme for a delegation from Tokyo's Yoshiko Takagi Ballet School. Twenty-two students and four teachers travelled to Astana to explore Kazakhstan's approach to choreographic education, work with the Academy's leading teachers and exchange professional experience. The Japanese guests followed a focused educational programme. Young dancers took part in masterclasses in classical and folk-stage dance and worked on classical variations drawn from the world's ballet repertoire. Each class offered more than technical practice. It also allowed the students to view familiar elements through a different teaching tradition. For young artists, this kind of exchange broadens their professional outlook and encourages closer attention to every detail of stagecraft.