
What theme should you choose?
As early as August this year, HR specialists at many companies will begin thinking about themes for their New Year corporate parties. Traditionally, the first ideas will revolve around the most talked-about sensations of the year. These are usually movie premieres, sporting events, musical sensations, or retrospective concepts.
By the way, returning to past eras is gradually becoming a corporate trend. Depending on the average age of the team, for some people a retro theme means the Soviet-era “Blue Light” TV show, while for others it means returning to the music of the 2000s.
Today, Generation Z makes up almost a third of employees in modern companies, which means the range of possible themes can be broader this year. It is better not to delay choosing the theme, because the conceptual content of the evening — décor, script, performers, and video content — also requires a long preparation period.
How to choose a host for a corporate party?
There is a classic misconception when it comes to this question. Suppose an accountant really likes the host at a corporate party in December. Naturally, when planning her son’s toi for the summer, she will invite him to host it without hesitation.
But if an HR specialist from the same company attends a friend’s wedding in the summer, she may be afraid to recommend that same host to management for the corporate party in December. This is because the idea that he is a so-called “toi host” may stay in her mind.
However, it is important to remember that a professional host always has different approaches to different types of events. A professional understands that a corporate party may include official guests, business partners of the management team, and sometimes even foreign colleagues.
This means that the host’s banquet language, script content, and stage behavior can change dramatically. A professional can usually be recognized during the very first meeting, so you should not judge their outlook based on a quick glance at their social media account.
They host tois throughout the year, while corporate parties take place only once a year. That is why their social media profile may look very different from what an HR specialist expects to see. A conversation will reveal everything.
Should employees perform at a corporate party?
In rare cases, performances by different departments are included in the program to reduce the corporate event budget. More often, however, the purpose is to bring employees together and help them understand one another better through rehearsals, brainstorming sessions, and preparation.
From our experience, such projects have always benefited every department and division. Age is not an obstacle either. Employees of all ages willingly become involved in the process after the third rehearsal.
After the fourth rehearsal, they stop complaining about deadlines, reports, and lack of time. Gradually, they even find time for rehearsals and studio recordings on weekends.
And after performing at the corporate party, they feel nothing but euphoria and gratitude toward their colleagues. Therefore, if there is at least one month for preparation and experienced instructors are involved, employee performances can replace even major pop stars in the program.
Should the overall mood of the celebration depend on management’s mood?
At one corporate party in 2012, the first part of the evening was tense and strictly formal. Neither comedians invited from Moscow nor famous Russian pop stars were able to entertain the guests.
The reason was that four senior managers of the company sat there maintaining the serious demeanor of aristocrats in a movie.
But during the intermission, a news broadcast appeared on the television screens installed around the hall. A scrolling ticker listed the names of top managers who had been dismissed. Every person mentioned in our first toast of the evening appeared on that list.
And how do you think the second part of the evening went without management? Cheerfully and emotionally!
The only people who remained at the celebration were company drivers, the technical team, security staff, accounting, and HR. And it was only for them that the “Star Factory” performers took the stage — and only for them that a happy 2013 truly began!

For example, in 2025, one of the December corporate parties we organized had a “Gala Dinner” theme. This is one of the most convenient concepts when you have 710 guests. To manage the flow of people inside the restaurant, we had to involve 20 crowd managers. The security team alone consisted of 60 people, and that was also a private company. With such a large number of guests, almost any theme will turn into a gala dinner within an hour anyway. And if you also consider that the bar was operating on an unlimited basis, it becomes clear that in a situation like this, what you really need is not a theme. What you need are hosts — experienced, well-known, and, naturally, expensive ones.

In December 2025, we organized a highly effective, stylish, and completely alcohol-free corporate evening right in our client’s office. How did we manage to do it? Thanks to the good old KVN! It might sound ordinary, if the final result hadn’t turned out to be so original! There were plenty of benefits: during the preparation process, all six teams became much closer and had the opportunity to sharpen their creative skills. Over 20 days of rehearsals, they learned to think creatively, understand one another on a creative level, and develop public speaking skills. The KVN event was held in the format of a single competition, and all 250 colleagues felt like spectators at a real television show. The teams were coached by an experienced KVN team from the Premier League, which gave every performance the authentic atmosphere of the famous game. The festive buffet was organized right in the foyer at the entrance to the conference hall. The New Year decorations, atmosphere, and menu were all designed around the concept of a magical New Year celebration. The mystery of the holiday, the anticipation of midnight, and a truly festive mood filled the space. Musical groups and a host entertained the guests during the buffet. An hour later, everyone was invited into the hall, where the KVN competition began. The host was Nurzhan Beisenov, an actor from the KVN team “Kazakhi.” There was the traditional parade of teams, the introduction of the jury, and rows of supporters who came to the game with specially prepared posters. Everything was just like on television! The quality of the humor remained at a high level, while the teams’ preparation and acting skills inspired genuine excitement throughout the hall. The colleagues certainly did not expect a corporate party like this. The advantages of such a New Year corporate party theme are obvious: team unity, the development of a loyal and creative corporate culture, and an opportunity to discover your colleagues from a completely different and unusual perspective. From an organizational point of view, such a corporate event is especially valuable because of its preparation process: during the 20 days leading up to the event, the teams go through many challenges usually known only to experienced KVN players. And ideologically, the celebration remains engaging right until the final moment, because it is completely alcohol-free while still being genuinely entertaining. If your company has more than 200 employees, a New Year KVN event is one of the brightest solutions both for a festive evening and for team building!

There is nothing more frightening than experiencing “cringe” in front of management at a New Year corporate party. It is an especially uncomfortable feeling for the HR specialist, who is ultimately responsible for the evening. Quite often, an awkward situation is caused by the host’s lack of preparation, and the issue has little to do with their energy or entertainment program. The real problem lies in their inner substance. Without understanding the level of the guests sitting in front of them — especially those seated at the first four tables — a “cringeworthy” host follows the notorious idea of “bringing the house down at any cost.” They start asking each side of the room about their mood before even giving the first official guest the floor.
On May 28, as part of the annual Event Organizer’s Day celebration, the Dancehub.kz portal launched an initiative to recognize performers from the capital whose profiles attracted significant interest from internet users. The winners were determined based on profile traffic, search query statistics, and visit frequency according to search engine analytics data. In the “Guest Reception” category, the award was presented to “Pal Palych & Co.”, while Bakhtiyar Aryngazin was recognized for having the Best Host Profile. Other award categories included “Best Photographer,” won by Maksim Zhusupov; “Best Musical Group,” awarded to UMAY Band; and “Best Dance Ensemble,” won by Art International. In addition, a special category featuring choreographer-directors was introduced for the first time, with Sadykova Anvara Aripovna taking the top honor.
Once, the sun and the earth gifted the world a boy whose birth was marked by the arrival of a foal born from the spirit of a sacred mare. Their destinies unfold side by side: the human learns to hear the earth, while Zhelkanat learns to feel the breath of a human being. At first, it is friendship, but later it becomes a journey of trials — separation, fear, and growing up. Together, they must overcome hardships and find a new home. Following archaeological excavations in the North Kazakhstan region, traces of the ancient Botai settlement were discovered. This finding became a major cultural event and sparked widespread discussion within the country’s artistic community. The remarkable discovery inspired many creative individuals in different ways, but the most profound and touching interpretation was presented by the unique dance theater “Sensitive” from Petropavlovsk. The group has earned well-deserved recognition in the world of choreography as participants, laureates, and winners of numerous prestigious international awards. Their arrival in the capital became a significant event for admirers of the genre. The word “unique” is truly fitting for the “Sensitive” dance theater, as some of its performers were born with hearing impairments. This raises the question: how do they rehearse? How do they achieve synchronization and feel one another on stage?