The concert was dedicated to the 25th anniversary of the creative career of renowned Kazakh choreographer and chief ballet master of the “Gulder” ensemble, Anvara Sadykova.
“The history of the capital’s ballet is a path of immense dedication, perseverance, and devotion to the stage. It all began in 2000 with the opening of the K. Baiseitova National Opera and Ballet Theatre. When the theatre passed the baton to the grand Astana Opera, a new era began. It was a challenging transition with strict selection and new professional standards. Today, this continuity lives on within the Kazakh National Academy of Choreography.”
The evening was filled with nostalgia, yet it was not merely retrospective — because in art, infinity is the limit.
The program featured both iconic works and premieres, including the ethno-ballet “Zamana Zhangyrygy” set to music by Maurice Ravel. The audience warmly welcomed distinguished performers such as Секен Турысбеков, TURAN ensemble, Гульзада Рыскулова, and Динара Кудабаева.
The concept of FLOW/АҒЫН represents an artistic reflection on continuity, the flow of consciousness, and the evolution of national choreography, conveyed through a biographical narrative of the choreographer’s life — from childhood to key milestones, including her connection with Алматы.
Once, the sun and the earth gifted the world a boy whose birth was marked by the arrival of a foal born from the spirit of a sacred mare. Their destinies unfold side by side: the human learns to hear the earth, while Zhelkanat learns to feel the breath of a human being. At first, it is friendship, but later it becomes a journey of trials — separation, fear, and growing up. Together, they must overcome hardships and find a new home. Following archaeological excavations in the North Kazakhstan region, traces of the ancient Botai settlement were discovered. This finding became a major cultural event and sparked widespread discussion within the country’s artistic community. The remarkable discovery inspired many creative individuals in different ways, but the most profound and touching interpretation was presented by the unique dance theater “Sensitive” from Petropavlovsk. The group has earned well-deserved recognition in the world of choreography as participants, laureates, and winners of numerous prestigious international awards. Their arrival in the capital became a significant event for admirers of the genre. The word “unique” is truly fitting for the “Sensitive” dance theater, as some of its performers were born with hearing impairments. This raises the question: how do they rehearse? How do they achieve synchronization and feel one another on stage?

Today, organizing a high-quality concert program for a Kazakh wedding in Astana can cost around 2 million tenge as a full-service package. And believe it, this budget can provide professionally selected performers. It usually includes an experienced and tactful host who works well with any audience and charges a fair fee, as well as a professional theater group of 7 performers who will accompany your celebration with national performances at a solid level. One of the unique features of such a theater group is its versatility. After welcoming the in-laws (kudalar), the male performers can transform into a vocal trio and present an impressive retro music block. Meanwhile, the female performers can change into traditional costumes and perform the “Kamazhai” dance and other national dances, nicely enriching the overall wedding scenario. With a team of about 8 people, you get a complete package: a bilingual host, theatrical performances for welcoming guests, the bride’s entrance, and depending on the format — the “synsu” farewell ritual or even a special performance for the traditional serving of meat.
On May 28, as part of the annual Event Organizer’s Day celebration, the Dancehub.kz portal launched an initiative to recognize performers from the capital whose profiles attracted significant interest from internet users. The winners were determined based on profile traffic, search query statistics, and visit frequency according to search engine analytics data. In the “Guest Reception” category, the award was presented to “Pal Palych & Co.”, while Bakhtiyar Aryngazin was recognized for having the Best Host Profile. Other award categories included “Best Photographer,” won by Maksim Zhusupov; “Best Musical Group,” awarded to UMAY Band; and “Best Dance Ensemble,” won by Art International. In addition, a special category featuring choreographer-directors was introduced for the first time, with Sadykova Anvara Aripovna taking the top honor.
Berik is arguably one of the most genuine hosts in the industry. He came to the stage through hands-on experience, supported by strong theoretical knowledge. Before becoming a host, he worked as a sound engineer for many well-known and high-end hosts in the capital. Years behind the console allowed him to observe dozens of hosting styles, audience reactions, and communication techniques. This helped him deeply understand the psychology of celebrations and define his own professional path. Berik knows that success at an event is rooted in understanding people. At the same time, he clearly realizes that not everything depends on the host alone.

For over 14 years, Килиманджаро шоу has remained one of the most in-demand acts in the country’s event industry. In many regions, weddings are no longer planned around “perfect” calendar dates, but around the band’s availability — and this has become the norm. They are not impressed by quick money, large deposits, or business-class flights. They are true artists — dedicated, sincere, and professional. Their mission is to serve people through эмоции and atmosphere. In terms of emotional impact, Serge Fabris and Jay have virtually no equals. Their performances are booked 2–3 months in advance. When performing outside Астана, their fee includes travel, but they remain flexible and open to different formats.