Асхат Сагитов на сегодняшний день — это сформировавшийся, зрелый и хорошо подготовленный ивент-проект. Пожалуй, ни один ведущий в столице не инвестирует в себя столько знаний, опыта и культуры, как он. В то время как многие коллеги всё ещё ищут свой формат, стиль и направление, Асхат Сагитов благоразумно оставил этот выбор за своими клиентами. Подобно вековому английскому автомобильному бренду, он сохранял сдержанность и выстраивал свой путь в индустрии последовательно и стратегически. В конце концов, даже на самый сложный продукт найдётся свой клиент — если он действительно ценен.
Асхат изначально выстраивал своё позиционирование и всегда понимал, что будет работать в премиальном сегменте — достойно и с прицелом на серьёзные имиджевые и репутационные дивиденды. В результате его стиль и направление сформировали сами клиенты — те, кто ценит сотрудничество с думающим, любознательным и эрудированным ведущим.
Асхат Сагитов много читает, получает второе высшее образование в области менеджмента, активно занимается спортом, пишет сценарии и регулярно работает на деловых мероприятиях. Форумы, конференции, закрытые стратегические сессии, деловые бранчи и презентации — всё это один из самых сложных жанров для ведущего. Там, где используются шаблонные фразы и заученные шутки, ведущий становится неуместным. Главная сложность в том, что на таких мероприятиях аудитория действительно слушает — внимательно и критически. Неподготовленному свадебному ведущему в такой среде просто нечего делать.
Несмотря на свои достижения, Асхат Сагитов никогда не считал себя самым умным. Напротив, он всегда стремился к развитию и с интересом искал наставников. Они регулярно встречаются на его жизненном пути, и, будучи избирательным в знаниях, он постоянно находится в процессе личностного и профессионального роста.
Кто, если не Асхат Сагитов, мог стать официальным ведущим Клуба «Что? Где? Когда?» в Астане? Он опытен, начитан, эмпатичен и структурирован. Знатоки столицы знают и уважают его за интеллектуальную скромность и профессиональную глубину. Асхат много лет играл в «Что? Где? Когда?», занимался подготовкой и тренировкой знатоков, обладает отличным знанием игрового этикета и уверенно справляется с самой сложной частью игры — её ведением.
Быть на одном уровне с мэтрами клуба, среди которых юристы, депутаты, бизнесмены и топ-менеджеры, — это результат серьёзного жизненного опыта и профильной подготовки.
Этой весной — встречайте! Элитарный клуб знатоков «Что? Где? Когда?» в Астане с ведущим Асхатом Сагитовым. Познакомьтесь ближе с героем статьи в подкасте, посвящённом его личности и профессиональному пути.

For Kazakhstan, this format is, of course, a great rarity, as the very concept of the “Games of the Future” project is based on something not yet familiar. The country has enormous organizational experience and, naturally, the Games were held successfully. A separate highlight of the program was the introduction of dance disciplines into the competition. Our website attended the final of the Phygital Dance 2026 tournament. Once again, it was proven that dance is truly an expression of the dancer’s inner state. After all, participation in Phygital Dance was open to people who are passionate about choreography, while there are generally not that many professionals among them. And so it turned out that the final was primarily made up of gamers who had danced offline but now competed in a digital format. The rules are simple: the participant’s dance must be as synchronized as possible with the movements projected onto huge screens. The final assignments were made available to the participants before the competition, at different times for each participant, according to the competitors themselves. For example, a representative of our country who took one of the prize-winning places noted that she received her assignment in her personal competition account 10 days in advance.
Last autumn, Ruslan launched a conversational interview series called “The Environment Around Me.” The guests of the series included well-known producers, prominent showmen, musicians, creatives and other cultural figures. This year, Ruslan returns with new guests, while the series has undergone conceptual changes and moved closer to the social genre. Each episode now features more dynamics, depth and expertise. The first guest of this season was former Vice Minister of Artificial Intelligence Dmitry Moon. In June this year, Dmitry stepped down from his position as Vice Minister and continued his professional work as CEO of Q.AI, a company focused on the development, implementation and analysis of artificial intelligence in Kazakhstan. The relevance of artificial intelligence in our country is growing every day. Its practical application has already reached almost every area of public administration and the private sector, and this trend continues to gain momentum. During an engaging and lively conversation, held in the form of a tour through the “Nur-Alem” sphere, Ruslan raised a wide range of topics that are both important and sensitive for society. Against the backdrop of the growing demand for AI, many people are undoubtedly interested in which specific professions artificial intelligence improves and which, on the contrary, it may displace from the labor market. How can we live with constantly evolving user experiences with AI, and what cybersecurity measures should every user know and apply?

This summer, Ruslan Vladimirovich Kenzikeyev, founder of the dancehub.kz portal, officially joined the ranks of experts of the Alliance of Creative Industries of Kazakhstan. The organization has been operating for several years. It was established at the initiative of the National Chamber of Entrepreneurs “Atameken” and operates throughout the country, with its coordination center in Astana. A key priority of the Alliance of Creative Industries is to support domestic entrepreneurs working in the creative industries. As part of this work, the Alliance regularly holds forums, conferences, master classes, and weekly meetings in the capital.

For example, in 2025, one of the December corporate parties we organized had a “Gala Dinner” theme. This is one of the most convenient concepts when you have 710 guests. To manage the flow of people inside the restaurant, we had to involve 20 crowd managers. The security team alone consisted of 60 people, and that was also a private company. With such a large number of guests, almost any theme will turn into a gala dinner within an hour anyway. And if you also consider that the bar was operating on an unlimited basis, it becomes clear that in a situation like this, what you really need is not a theme. What you need are hosts — experienced, well-known, and, naturally, expensive ones.

Every day, hundreds of people use our website. Thanks to the availability of our publications in three languages — Kazakh, English, and Russian — the website’s articles, profiles, and news continue to attract stable interest from users in Kazakhstan and neighboring countries, and sometimes even from more distant parts of the world. Website inquiries regularly come from Turkey, India, and Germany, while articles and creative profiles are also read in English. According to the results of the past summer, the article “The History of the Kamajai Dance” continues to hold the top position, with more than 10 views in English alone. The “Gulder” dance ensemble has maintained a strong interest among dancehub.kz visitors since the very beginning of its appearance on the website. The interview with Anvara Aripovna Sadykova is also among the top three most sought-after publications on the website. The dance community of Kazakhstan also closely follows our website’s special reports, in which we cover cultural events in the capital and beyond, particularly those related to various areas of dance. Our correspondents have attended the most notable concerts, performances, and competitions held in Astana.